When I reviewed "Ernest Goes To Camp" a few days before the
Summer, I said that I would review a Christmas film that many would argue is
the best film staring the Ernest character, which is...
If you read my review on the TV anthology special starring Ernest titled
"Hey Vern! It's My Family Album", then you may already know that this
was the first and only Ernest film I ever saw as a kid. As I described in my
review, I did remember liking Ernest fine, but I found myself bored by it, and
hardly ever laughing at it as a kid, which caused me to avoid watching
Ernest movies up to this point. After hearing about the cult following that
this film has received (especially from internet critics like the Walker
Brothers, and James Rolfe), and reading that the director of most of the Ernest
movies considers this film to be the best in the series; I was curious to see
if it's as good as people make it out to be, and actually give it a chance,
since I shut off the film when I was at the halfway point when I first saw it.
Is this an Ernest film that's just as good as the first one, if not better; ON
WITH THE REVIEW!
A man who claims to be Santa Claus (Douglas Seale) arrives in Orlando Florida
to speak to former children's entertainer Joe Carruthers (Oliver Clark) to take
his job of delivering toys to the children around the world, since he's getting
too old for the job. Joe unfortunately has trouble believing that he is really
Santa, and Santa is thrown in jail by Joe's talent agent (Robert Lesser) who
thinks that he is mentally ill. To make matters worse, Santa has left his magic
sack full of toys inside a Taxi cab. Fortunately the man driving the
cab (that Santa has also befriended) is none other then Ernest P. Worrell (Jim
Varney), who discovers the magic inside the bag, and vows to return it to Santa
and break him out of jail so he can talk to Joe one last time, as well as
delivering Santa's sleigh and Reindeer to him. Can Ernest and Santa accomplish
all this by 7 O’clock on Christmas Eve...well it is called "ERNEST SAVES
CHRISTMAS" (I hate it when titles give away the ending)!
When I reviewed Ernest's debut film, I talked about how Jim
Varney was able to make his iconic over the top redneck character so heartfelt,
even though the material he's given to work with isn't funny. And as much as I
found Ernest to be likable in this film, I didn't find him as endearing as he
was when he was trying to befriend a group of juvenile delinquents, and try his
hardest to become a camp counselor. The film's plot and focus is mostly
centered on Santa and the guy he's trying to hire to take his place. Ernest on
the other hand just seems to be more of the film's comical supporting
character, instead of being the actual star and focus of the film. Sure he
helps Santa a few times in the film, but I just never really got the impression
that Ernest was the film's leading character with a story-arc. As a matter of
fact, it’s really the supporting cast who has all the development, while Ernest
just so happens to get in the middle of all this chaos. And that for me is a
real downer because the primary reason of what made Ernest so engaging in his
debut film was because the film revolved around him and his hopes
and dreams that you wanted to see him accomplish. You felt connected to the
character of Ernest all the way through, as you were given
moments to feel happy and sad for him. Ernest's presence in this film feels
like he's only there to attract audiences for marquee value, and provide the
majority of the comedy for the film.
Speaking of comedy, remember how I found the majority of the
humor to be forced in the last film? Well here it doesn't feel as forced
or staged. Now that doesn't necessarily mean that the film doesn't have its
share of unfunny hammered in humor because it does. And I'm not going to act
like that the film itself is funny either because it isn't. But with that said,
much like how I found the climax in "Ernest Goes To Camp" to be
enjoyably entertaining if not funny, I can honestly say that the film does
carry plenty of scenes that are fun to watch. Some of the best entertaining
scenes that the film has to offer are Ernest's reckless cab driving; the scene
when Ernest pulls toys out of Santa's magic bag; and the film’s climax as
Ernest has trouble pulling Santa's sleigh! I'll even admit that the film did
have a few moments that I did find to be funny (unlike the first film),
especially the sequence when Ernest is accidentally destroying his neighbor
Vern's living room as he tries to put up a Christmas tree that he gave to him
(though I do wonder what's keeping Vern from stopping Ernest from wrecking his
house). What's also interesting about this movie is we do get to see where
Ernest lives which is something I've never seen in the previous film, or his
TV Special. Granted, it looks like a cheap copy of the house that Pee-Wee
Herman lives in from "Pee-Wee's Big Adventure" (that comes complete
with Ernest flipping pancakes that hit the ceiling, like Pee-Wee's Breakfast
Machine), but it was still nice to see where this childish redneck
would live. And speaking of "Pee-Wee's Big Adventure", remember how
Pee-Wee was able to disguise himself in no time in one or two scenes? We see
Ernest do the same here, only he disguises himself as characters that will later
appear in the franchise as their own separate character such as the rich and
intelligent Astor Clement, and the dramatic great Aunt Nelda. We also see
him disguise himself as his mean uncle Lloyd, who we've previously met in
"Hey Vern, It's My Family Album". None of these characters are
actually funny, but Varney does manage to put himself into the role of the characters
just as convincing and entertaining as he plays his Ernest character. I'll even
give Varney credit for making his portrayal of Lloyd Worrell fun to watch,
instead of seeing him beat-up his son Mistake as he and his family starve in
the TV Special. The only character I found myself disliking out of the three
disguises is Aunt Nelda who looks scary and intimidating (especially how we look at that ugly face up close with the use of a wide
angle lens).
When I reviewed "Ernest Goes To Camp", I talked
about how bland and forgettable the supporting cast of characters in that film
were. Well thankfully in this film, we do get characters that are actually
likable. Now I'm not saying they're great, or even all that good for that
matter, but I did find at least most of them to be more appealing and memorable, when compared to the supporting characters in the last film. Oliver Clark as this
Mister Roger's like entertainer who is chosen to be the next Santa gives the
character a nice humble approach, while still exposing his limitations of how
long he will remain nice and calm, which makes his character come across as
believable, if not realistic (though lets face it, when do you expect realism
in an Ernest film). The two Elves that are sent to pick-up Santa's Sleigh
are fun characters who are enchanting that the two little actors playing them
manage to capture. And Noelle Parker as the wise-ass teenage girl
Harmony (who is drenched with over the top 80s clothing), as much as she
manages to make her character and on-screen presence appear to be charming; the
story-arc that's given to her character to me felt pretty cliched and
half-assed. Her reason's from running away from home doesn't feel that
sympathetic. Her motivations of what she wants to do as she’s running away from
home are unclear. And her act of redemption at the end was painfully
predictable for how annoyingly phoned-in her reason for doing the right thing
was. But as forced as Harmony's story-arc was, she was in the very least still
likable. The only characters I didn't find myself liking was the two storage
agents who have to take care of Santa's flying reindeer that just stand on the
ceiling, that are just as annoying as the two chef's in the previous film (And
it doesn't help either that the actor who played the chef who I found the most
annoying out of the two in the first film, is actually playing the storage
agent one who keeps moving his eyes around like mad, in hopes that you would
get a laugh out of him), though to be fair I did get a laugh or two compared to the previous comic duo. And the Talent Agent that throws Santa in jail played by Robert Lesser, who
is a very dull and forgettable villain (John Vernon as the
villain in the first film is more memorable of a villain, compared to this guy).
Out of all characters in the film (including our lead) the
best character and performance that tops them all is hands down Douglas Seale
(who you may recognize his voice work as the Sultan in Disney's "Aladdin")
as Santa Claus. Seale's portrayal of Santa Claus is so lovable, so kind
hearted, so jolly, and so charming that he is without doubt the best thing that
this film has to offer. There's not a single moment where I found myself being
turned off by Seale's performance because he literally owns every single scene
he’s in with the charm and grace that he brings to his presence! And believe me,
I was trying to find something corny in his performance, but no matter how hard
I try, I simply couldn't find myself being disenchanted by the personality that
Seale gives to the character. Even when he's doing something silly like wearing
cheap 3-D glasses, or making forced Santa puns, I still couldn't stop loving
his on-screen performance. The film also gives him emotional music that's
played every time he makes a heartfelt speech, which should come off as corny
as the music in "Full House" since its completely obvious that the music is being shoehorned into those
scenes to simply signal to the audience that this is a powerful moment, rather
then having them realize that for themselves. But even with the contrived music
that plays every time he makes a speech, he still never seizes to lose his
whimsical Santa Claus charm, where that cheap use of music just somehow blends
with his performance and speech ever so beautifully!
With this wonderful performance aside, there are many things that the
writers give to Santa that really helps Seale convey the enchantment of the
character such as having an instant connection with children; caring about
everybody as if they were his own children; and making friends with almost
everybody he meets. Seale and the writers even manage to make Santa a bit of a
badass by having him make friends with prisoners that stand-up for him, and giving
him a scene where he hits a guy in the face for making a Christmas movie that’s
about a monster attacking an innocent family. That's pretty hardcore for a
fictional character as jolly and loving as Santa. When it comes to magic
involving Santa, most of it is played on gags that aren't laugh out loud funny,
but still help bring the size and weight of the character. What I find really
interesting about how the film depicts Santa is his situation of passing the
torch to somebody else. He doesn't want to give up his job since he loves his it
so much, but if he doesn’t give up the job he loves and fails to convince the
guy he wants to take his place, he will be left with constant guilt for killing
a part of Christmas that kids look forward to because of his selfishness. It's
a tragic and harsh situation that you find yourself perfectly understanding his
reasons, while you’re at the same time sympathizing with him and rooting for his
determination to set things right in hopes that everything will go right in the
end (which they do! I mean did you read the title for the film?). I don't
know if I would go as far as to call this version of Santa the best since he
doesn't have the deep voice, he's not fat or chubby, and never wears the red
suit in person; but he is still indeed one of the best! As for the Christmas
look and feel that the film carries, it's nothing spectacular, but it still
looks nice. They did do a good job making a snowless state like Florida, look very
Christmassy. The film's opening credits are also given a nice Christmas touch
where we look at old illustrations of Santa by Haddon Sundblom for each piece
of credit, as we hear a beautiful Christmas choir singing a medley of Christmas
Carols.
"Ernest Saves Christmas" is a stupid movie that can get very corny
and forced at times, but I will say that I think its more enjoyable then his TV
Special, and film debut. Ernest may not be the actual focus of the film, but
he's still a fun to watch. The humor in the film is hardly ever funny, but it’s
still more entertaining and enjoyable than the humor was in the last film,
which actually does provide a few occasional laughs. The supporting characters
(aside from Santa) are nothing special, but are at least likable. And the
Christmas look and feel that the film carries may not be the strongest, but it’s
still satisfying. The main reason why I recommend this film is for Douglas
Seale as Santa Claus because I seriously think that he is one of the best
Santa's of all time for how loving and pleasant he is. While the film isn't
good or a Holiday classic by any means (more of a Holiday
guilty pleasure), it was indeed an entertaining watch that carried a few
good things in it. I can't say that this is the best Ernest film yet, but I
don't know how his later films and Specials are going to top it.
RATING 3/5
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