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Wednesday, April 25, 2018

GNOMEO & JULIET

Upon hearing the incredibly negative reception to an animated film titled "Sherlock Gnomes", I've decided that it was time to revisit the film that "Sherlock Gnomes" was a follow-up to, that I haven't seen since I saw it in theaters in my Junior year of High School...

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Some of you may be curious to know why I went to see a film that looked and sounded so stupid and ridiculous that it didn't seem like that it shouldn't even be worthy for a big budgeted theatrical release, but more of a cheaply animated straight to DVD release. Well personally, I had no desire of seeing it to begin with. When I saw the TV spots for the film, I would always find myself rolling my eyes at how ridiculous the film looked and sound. An animated version of the Shakespearean tragedy of "Romeo and Juliet" set in a modern day setting with garden gnomes, it had to be one of the dumbest ideas that I've ever heard. Just gazing at the animation, designs, and style of humor on the TV spots as it was attached to such a cheesy gnome pun made the film seem like that it was going to be dreadful. But then my Mother got two tickets to a screening of it in 3-D for me and my little brother Jack, and as much as I wished to avoid the film I decided to see it anyway to maybe perhaps write up a review on it (which of course didn't happen until now). I went into the film as hard as I could to keep an open mind, and within the first few minutes I found myself laughing and being fully entertained. I didn't love the movie, but it wasn't as bad as I anticipated it to be. Though I remember some of the jokes and characters, my memory of the film began to fade and fade as the years went by, which made me wonder if it’s just as funny as I remember it. Does the film remain as a hilariously cute take on "Romeo and Juliet" if not a great movie, or is it really just a complete waste of time with nothing worth seeing? ON WITH THE REVIEW!

I don’t think I need to tell you about the film's plot since the title and concept make it clear what it's about. But for the very few of you who don't know the story of "Romeo and Juliet", I’ll be nice and give you a brief summary of the film’s plot. The film takes place in the gardens of two elderly neighbors who hate one another Miss. Montague (who lives in a blue house) and Mr. Capulet (who lives in the red house). When two are away, their garden gnomes (with hats that match the color of their owners homes) as well as their other lawn ornaments come to life. However, much like their owners, the blue and the red gnomes despise each other as they're both constantly at war. One night, a blue garden gnome named Gnomeo (James McAvoy) sneaks into his rival’s garden for revenge, but his clumsy best friend Benny (Matt Lucas) accidentally blows their cover and Gnomeo runs to hide at a nearby garden that's been abandon for years. There he meets a red gnome named Juliet (Emily Blunt) who sneaked out of her garden to retrieve a rare orchid to prove to her father (Michael Caine) that she can survive outside of the fountain where she’s forced to stand for how fragile she is. Since they're both wearing a disguise to camouflage themselves, they fall in love with each other as they fight over the orchid until their true colors are revealed. They're at first resistant of their feelings for each other because of the feud between their families, but still can’t help being romantically interested. The two decide to use the old garden where they first met as a secret romantic spot, until Benny discovers their secret love relationship which leads to tragedy...sort of!

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If you know the story "Romeo and Juliet" or at least know what happens in the end, and expect a film as silly as this to take such a dark turn, you're going to be highly disappointed. On one hand I shouldn't be that surprised given how goofy the film's tone is and how bizarre the concept is. But on the other hand it’s still "Romeo and Juliet", Shakespeare's best known tragedy that's remembered for its dark turn of events to have its moral on hatred stick with you. I get that it’s for kids, but I've seen a few classic animated films for kids with a goofy tone end on a not-so happy note that's not completely down-beat either. And my god if the film did decide to go with the ending to the play, even if it didn't work, I'd still give the people behind this film credit for taking the risk given who the film is aimed for. But they don't and decide to play it completely safe. So safe that there's not one single dark element that this film throws at you to make the changes to the ending satisfying. Now with that said, that doesn't mean that the film does a terrible job of following the story through this unusual set-up. It of course takes tons of liberties but it still pin-points all the key elements in the story for it to resemble the play. And though it bothers me that the film didn't use the tragic ending that made the play so popular, the film doesn't fully brush-away the original ending either. Before the climax we see Gnomeo talking to a statue of William Shakespeare (Patrick Stewart) who tells him what happens at the end of the play. It's still a cop-out but at least younger audiences who are being introduced to this story for the first time won't be oblivious to what happens when they see or (most likely) read the actual play.

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What I also found myself appreciating about this unusual adaptation to Shakespeare's play is that the title characters aren't the only characters that resemble the characters from the original play. In fact, most of the important characters from the original play are all present in their gnome counterpart. Even some have the names of the character that they're based on, such as Tybalt and Paris. Exactly how the film story uses all the important elements from the play to give kids an understanding of the source material, the same applies to the characters as well. They're goofy and do have some major differences from the characters that they're based on (and not just because they're gnomes), but they still carry enough of the characteristics that we associate with the characters from the play. The only important characters who don't get a gnome redesign are Mercutio (though some of his characteristics were given to Gnomeo's character) and Prince Escalus, which is a tad bit disappointing but the film works fine without them.

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From both of my viewings of the film, what continues to surprise me is how unrecognizable most of the A-list celebrities they hired to provide the voices for the characters are. Some are easy to spot such as Michael Caine, and Hulk Hogan; but stars like Maggie Smith, Patrick Stewart, Jim Cummings, Dolly Parton, and Ozzy Osbourne, I had no idea that their voices were coming out of their characters mouths. They all fit each and every character that their given, as many of them have the right balance of being playfully over the top but still restraining how silly they can go in order to play out on the dramas and struggles that the characters feel. I say many of them as opposed to all of them because there are a few performances that are a little too obnoxious. Ashley Jensen as the plastic garden frog Nanette (a counterpart of Juliet's nurse) is barley given a subtle moment. The Red Goon Gnomes though have their moments, come off as cheap imitations to the minions from "Despicable Me" as if they were gnomes with straight faces. But the most insufferable character is Friar Laurence's counterpart Featherstone the plastic flamingo. In many respects, I don't want to hate this character! He's voiced by the gifted voiced actor Jim Cummings, and is given the only legitimately depressing scene in the movie! But his excessive dim-witted personality as he speaks in a phony Spanish accent is so irritating that his heartbreaking backstory doesn't come close to redeeming his annoying qualities. I'll also admit that the characters in general, though not bad and are mostly enjoyable enough to get you through the movie, nothing about them really stands out. Once you get past their designs, the celebrities voicing them, and how they connect to Shakespeare's play, they're pretty generic. Juliet is the beautiful girl who wants to prove to everyone that she's strong. Gnomeo is the good looking hero. Tybalt is the average bully. Benny is the kind hearted but clumsy idiot. And so on, and so forth. These are characters that we've seen many times before. That wouldn't be so bad if the relationships were emotionally deep and compelling, but it isn't for how silly and average these characters are. And when this gnome adaptation of “Romeo and Juliet" takes away all the tragic elements from the story, it's going to be even harder for these characters to leave a strong impression on you aside that they're gnomes walking and talking when no one’s around.

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Speaking of which, let's talk about the gnome concept of the story. If this idea sounds stupid to you, other studios and famous animators felt the same. Animator Adam Elliot turned it down feeling that the animation didn't fit his style. Disney shut down the project when John Lasseter became chief creative officer of Disney animation. And when the studio "Miramax" decided to do the project, in an unlucky turn of events, the company was shut down. But when Starz Animation received the rights to the project it went into production, and somehow got financed by Disney. But since Disney still didn't want their logo attached to it, they put it under their Touchstone Pictures logo which hasn't been done since the release of "Tim Burton's The Nightmare Before Christmas", that Disney suddenly took back after its popularity began to grow. It's understandable why Disney didn't want to take part in the film (at first), or have their name attached to it, and while I don't think Disney is going to regret that decision the same way they felt with "Tim Burton's The Nightmare Before Christmas", the execution to such a cheesy concept does lead to enough creativity and good jokes to make it a fun watch.

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The best way to describe the film's concept and environment is to imagine if "The Brave Little Toaster" or "Toy Story" had the same type of style, tone, and brand of humor of a film animated by Dreamworks like "Shrek" and "Madagascar". It just goes all out with its idea as it showers us with one joke after another that come at a very fast paced. It just never stops with the visual gags and its references to pop culture and Shakespeare works. And how the gnomes live and go about with their lives when no human is present is legitimately fun and interesting to see. Plus I love that we see other lawn ornaments rather than it just being garden gnomes, which gives this concept a little more variety that adds to a few hilarious surprises. Though the film is constant with its humor, energy, and surprises, I'll admit that it wasn't as constantly funny as when I first saw it in theaters. That's not to say that it isn't entertaining or didn't lead to enough good jokes to make it enjoyable. It's just that a good amount of the jokes and pop culture references felt forced or just there half of the time to just make the reference in hopes that you'll laugh. For example with Tybalt's best friend Fawn (a garden deer voiced by Ozzy Osbourne), you'll have him randomly talk about the Spider-Man movies during a guessing game that serves no real purpose to why these films are being referenced; but later on he'd be part of a clever parody on the saddest and most infamous scene in "Bambi" that fits the scene when a character is "axed off". Those two scenes perfectly demonstrate the film's use and misuse of pop cultural references.

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Another forced element is the use of Elton John's music. I love Elton John and I'd be lying if I said that I didn't have fun watching the scenes that use his music. But apart from the song "The Tikki Tikki Tiki Room" that's used for Juliet's fountain when it accidentally gets turned on, the film's soundtrack is all music by Elton John. And these aren't songs that he wrote for the film (aside from his Golden Globe nominated song "Hello, Hello" that he sings with Lady Gaga), they're all songs that he previously recorded in his career, and it just feels very strange that a film that mixes gnomes and Shakespeare together would also use Elton John's music in the background for its soundtrack. Even down to the point where Nanette fantasizes about one of the gnomes to dress, play, and sing exactly like Elton John. The reason for this choice is because he owns "Rocket Pictures" that helped produce the film, and I suppose that since he's the film’s executive producer he figured why not make more money by shoehorning his songs in the film’s soundtrack while also recording a new song with a popular artist of the time to make sure that the soundtrack sells, so that way it won't feel like he's selling another compilation album with gnomes on the cover of it. Throw in some awful gnome puns (as if the title wasn't dumb enough), and a ridiculously overblown climax involving an extreme looking lawnmower that's sized and shaped like a bulldozer, and you can easily see why the film's humor and choices doesn't fully work.

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If there's one thing to heavily admire about the film, its the animation. I completely forgot how much detail was put into it. The gnomes that come to life don't look clean and polished to the point where they look like animated characters that could exist in their own fairy-tale world; they're given cracks, chips, dirt stains, and faded colors so that they can look like statues that have been kept outside in the dirt for long periods of time. Juliet, who's supposed to be a very delicate statue, appears to be fragile from how shiny and hollow she looks when compared to the other gnomes. This film doesn't nearly decide to go as far to get away with continuity errors being that it's an animated film that's just made to tell jokes. When Benny's hat gets smashed, it stays smashed and attached to his head since there are no scenes indicating that he can take it off. And whenever Nanette speaks, you always see the water-hose that's built inside her mouth. What helps contribute to the detail of how old and fragile these characters are is the sound-effects for when they walk and move. Each type of lawn ornament is given a distinctive sound-effect to provide the viewer an impression of what they’re made-of and how much is at risk if they were to have an unlucky accident. Furthermore the size and scale of the environment that the characters live in and view of the human world looks both exciting and dangerous. When a gnome falls, or rides on a lawnmower, you feel the weight and impact of it for how gigantic the world around them is, that simply heightens the risk of their actions. It truly surprises me that so much effort and detail in the animation went towards a film that could've just ignored all the technical aspects of a lawn ornament and only have them fall apart or lose their perfect looks during key points in the movie. I didn't expect the risk of them breaking or the intentional imperfections of their designs to be constant throughout the movie.

OVERALL THOUGHTS

This film isn't nearly as bad as it seemed like it was going to be. The gnome concept is inventive. The animation is surprisingly well detailed as it’s full of life and energy. The voice cast is all fitting for their characters as most of them are enjoyable to listen too, as well as many of their voices being unrecognizable. The jokes are non-stop that leads to enough laughs to make the experience fun. And the film uses most of the key-points of the play to give its target audience an idea of what they’re in for when they learn about the actual play. However, while being a very entertaining film that kids will just eat-up, it's still a pretty standard movie. The characters aren't given that much depth to them since the film feels that having goofy lawn ornaments loosely resemble the characters from the source material is fascinating enough. There are tons of jokes that don't work, as the film at times either forces or goes way too overboard with them. Elton John's music is only present in the film for him to sell another album (that...I...may...or...may...not listen to a few of those tracks after completing this review). And the fact that the film decides to play itself completely safe by not at all challenging its audience when being based off of a famous tragedy kind of makes the overall idea of retelling it with gnomes to be pointless. I'm still impressed that a film with such a stupid set-up had a lot of effort being put into it which resulted with it being a delightfully entertaining film, that's not even a bad (if not great) way of introducing kids to Shakespeare's play. But nothing about it is really going stick with you after watching it, apart from how the film is adapting "Romeo and Juliet".

Sunday, April 8, 2018

A DANGEROUS WOMAN

Upon watching my VHS copy for my previous 1993 review "King of the Hill", the only trailer featured on the tape was for "A Dangerous Woman". And since the film was on my list of films to cover from that year, I've decided to watch it, and make it my next review.

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Martha (Debra Winger) is a mentally challenged woman who lives with her Aunt Frances (Barbara Hershey) in a small town, where she struggles to have a normal life because of her disability. After losing her job at the dry-cleaners for wrongly being accused of stealing money from the cash register; she meets an alcoholic handyman named Mackey (Gabriel Byrne) who later gets hired to fix the front porch of her aunt's house for a surprise party for a local politician that she has an affair with. She and Mackey slowly develop a love relationship, that's all new and exciting to her. But when Mackey sees a depressed and intoxicated Frances after her lover goes back to his wife, the two have sex which then leads to a set of tragic events for Martha.

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The main reason why I decided to give this film a view was for Debra Winger's nominated Golden Globe performance as Martha. When I heard that this lovely actress was going to play a misfit woman with special needs, I was a bit skeptical going in. I was thinking that her performance was going to disappoint me just as much as Leonardo DiCaprio's Oscar nominated performance in "What's Eating Gilbert Grape?" (and keep in mind that I know that DiCaprio wasn't as famous at the time as he is now, and respect that this performance helped boost his career in-spite of my feelings towards it) where I would be watching some pretty celebrity just playing a mentally challenged character in a matter so exaggerated (complete with thick glasses to make her stand-out as comically unusual) that it doesn't feel convincing. But from the moment when she first appeared on-screen, I was emotionally hooked to her character and stunned at how convincing her performance is. I've known and been around people like Martha who have similar special needs, and Winger does an authentic job at capturing Martha's intellectual impairment from how she reacts, thinks, talks, and moves. I honest to god, can't think of one moment where Winger goes over the top with this performance, or shows any signs that she's obviously acting. I strictly see her as the character, who the character herself is so sweet and helpless that I couldn't find myself resisting her wide-eyed child-like nature. And the amount of emotion that she brings to her character whether its showing anger and frustration of trying to prove to people that she's telling the truth since she can't lie, or showing confusion and wonder for when she sees or does something that's new to her, barley ever feels staged. I don't know why she wasn't nominated for an Oscar for this performance because this is a sensational performance, and she was robbed for not getting the nomination big time!

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However, with the exception of Debra Winger's outstanding performance, the rest of the characters and performances in the film unfortunately don't leave the same impression as the protagonist does. The acting on the whole isn't bad, they all do a fair job at capturing their feelings towards Martha. But nothing about their performances stand-out for how generic or underdeveloped the characters are. Barbara Hershey as the Aunt seems legitimately frustrated with Martha, and the scene when she gets drunk and breaks down in front of Mackey is a powerful top notch performance. But her character is nothing more than just a typical motherly figure to Martha as their relationship and feelings for each other don't really change or develop that much, which makes it uninteresting. Gabriel Byrne as Martha's love interest Mackey seems to be lacking a variety of emotion and expressions (even when he's trying to emote or act drunk) as he's pretty much giving the same blank depressing expression and wooden line delivery in nearly every scene he's in. There are a good amount of times when he sounds upset and appears to be legitimately interested in Martha to prevent it from being a soulless performance, but even then there's such an overall dullness to his on-screen presence that the only person who seems to have plenty of life and emotion is the actors performing opposite of him. And though the film takes it time for Mackey and Martha to form a relationship, the love that they both share isn't really all that compelling for how everything involving him just happens to exist to move the plot forward, as he gives one speech after another about love and the pain he feels, which doesn't come off as effective for how monotone and dispassionate his performance is.

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When Martha isn't arguing with her aunt, or falling in love the handyman, she spends most of the film trying to convince her best friend Birdie (Chloe Webb) that her boyfriend Getso (David Strathairn) is a lying and cheating petty crook, which she refuses to believe. Martha's desperation of trying to have her friend believe her is a gripping performance, but her relationship with Birdie isn't. It's not that Webb doesn't provide a naturalistic performance, it's mainly for how the film hardly ever shows the two bonding as close friends to make you feel emotionally upset about their break-up. There's like 4 short scenes of them bonding as friends, and right smack in the middle of the fourth scene when we see Birdie comforting Martha is where she turns her back on her, and this is before the film even reaches a half-hour. The friendship is there, but since their scenes are very short, it's easy to overlook that these two are close friends where her sudden change of heart towards Martha seems rushed to give this film some kind of conflict, as if her losing her job wasn't conflicting enough. As for Strathairn as Birdie's thief of a boyfriend, his character is nothing more than just a selfish punk with no redeeming qualities who's clearly in the film as a forced antagonist. But compared to the all other performances in the supporting cast in the film, Strathairn gives the second most memorable performance in the film for how he portrays this two faced con-artist. Jan Hooks cameo as the Make-up saleslady who scams Martha into buying make-up and changing her style is also very memorable for how smiley and quick she is. If I had to pick the film's most forgettable characters and performances, that would easily go to John Terry as the politician and Laurie Metcalf as his wife. Even though they are given scenes where they interact with Martha and her Aunt Frances (mainly involving Terry's character), there's not much character given to them. The only scenes that these two appear is to either set-up the conflicts that will lead to key events in the story, or give exposition. For example, in the first scene of the movie, we witness the drunk wife destroy the porch with her car when she suspects her husband to be having an affair with Frances, which obviously leads to the need of her hiring Mackey to fix the porch. After that point, we don't ever see these two interact together again, until the party (after the porch is fixed) where the two just suddenly make-up and dance together right then and there with no conversation, that then results with Frances getting drunk and having sex with Mackey to start the love triangle conflict of the story. This couple act more as tools to the plot than they do as actual characters, which just makes the presence of them to be lazy since you'll only remember them because they're practically the cause for half of the important things that happen in the film, and nothing more.

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The overall problem that this film has is its narrative and pacing. While watching the film, I got more of the vibe that I was watching the 2nd and 3rd acts to a 3 act film, with the first act being completely excluded. A part from the opening narration explaining a little about Martha's past, the film starts right away with the porch being destroyed, Martha almost resorting to violent measures out of fear, and her witnessing Frances having the affair with the politician. Though the opening was an attention grabber, I felt unsatisfied that this was the starting point when there's clearly so much history regarding Martha and the people in her life. It would've been so much interesting to at least have 30 minutes of the film be dedicated to Martha's youth and witness how she became the woman she is currently before Mackey came into her life. I'd love to see her relationship with her Aunt Frances when she first took her in, or see more scenes with her working at the dry-cleaners and interacting with her best friend. Maybe perhaps have more scenes of her being looked down by society because of her disability. And given how this woman is shown to be violent when nervous (that's only established twice in the film) I'm curious to see what lead to her behaving this way. There's so much to be explored when regarding this woman's life and the people around her. But rather than starting from the beginning, this film starts in the middle when the actual plot begins to unwind. That wouldn't be a bad thing if the time with the characters were well spent to make them intriguing as you learn more about their past while being emotionally hooked to their current relationship, but as I clearly established before, the film doesn't.

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Since a love triangle forms in the story, I was expecting it to be the major conflict for the film's third act. But to my surprise, that obstacle doesn't play as major of a role as it should have. If anything, that whole issue gets tossed aside very quickly. Without going into spoilers, rather than having the film focus on the relationship struggles with Martha, Mackey, and Frances; the film decides to take a sudden dark turn by having the last 20 minutes or so of the movie focus on murder, pregnancy, and prison. Admittedly this crazy turn of events was shocking and a bit suspenseful, but doesn't feel earned or even warranted. It seems that the film itself knew that Martha's life and love relationship wasn't engaging enough, so it decided to take the easy route of captivating audiences by resorting to violence and criminal charges to gain their attention. And as soon the murder scene started, the film's tone at that point changed so much that it felt like I was watching an episode of "Law and Order" for the remainder of the film until the very last scene in the movie where the film decides to switch back to its original chick-flick style of romance and drama.

OVERALL THOUGHTS

The film is well made, but with the exception of Winger’s incredible performance, nothing else about the film stands-out. The characters are blandly generic; the acting while not bad doesn’t hit the same emotional chord when compared to Winger’s performance; the film’s look, tone, and atmosphere is boringly average, until the film decides to randomly change its tone and style for the climax; and the writing uses so many short-cuts to lazily move the plot forward that it downplays many of the characters and events that need more time and attention. Thank god that Winger's lovable character is in the center of the whole movie, because without her remarkably charming and realistic performance this film would be nothing.